There are tons of full frame mirrorless cameras on the market. But only some can truly be called the best for pro photographers. If you’re looking to ditch the DSLR, take a peek at what’s on the table. Some photographers might consider switching cameras systems, while others just want to see the list of what’s great on the market. Either way, our list of the best full frame mirrorless cameras will have you nodding in agreement.
If you’re curious about how we chose the best full frame cameras for pros, take a look at this:
In our review, we state:
“The Canon R3 has a top burst speed that’s actually useful because of a great autofocus system and a faster processor to limit rolling shutter. This camera can not only shoot in the dark, but prints at ISO 128,000 still look good. While the R5 may make more sense for detail work, the R3 is an exceptional low-light and fast-action camera.”
In our review, we state:
“Here’s the honest truth. the Canon EOS R5 is a fantastic camera in pretty much every regard. It does everything photographers want it to do. If you want good colors, this camera boasts that ability. If you want good dynamic range, the Canon EOS R5 delivers if you know how to meter a scene. If you’re looking for fantastic autofocus, we can’t find a major fault with the Canon EOS R5 within reason. The camera can take abuse and keep snapping images. Not only is the camera reliable, but it’s also very capable. I’d gladly make it my main camera. With 4K video, I never plan on recording clips that are a half hour long. But I get good stuff from the Canon EOS R5. So why would I complain?”
In our review, we state:
“The Nikon z9 is Nikon’s most innovative camera in years. It’s quite a workhorse with a fully electronic shutter, workable 3D tracking autofocus, and various autofocus scene detection features. It’s also very well weather-sealed and has incredible battery life. It trails behind Sony and Canon in some ways. But in other ways, it absolutely blows them out of the water. In my mind, it’s the first genuinely professional-feeling mirrorless camera that uses 35mm full-frame sensors.”
In our review, we state:
“The Sony a1 is a revolutionary camera. It’s capable of incredible burst rates in RAW with autofocus. It does very well with high ISOs. The ergonomics and build quality are the best yet from a Sony camera. The EVF is excellent, and the autofocus system works like a charm for the most part. It’s a stunning camera. However, all of these great things come with a huge price. It’s $6,499.”
In our review, we state:
“By and large, the Leica SL2s is the most rugged camera on the market for a working journalist: there’s no question about that. It’s incredibly reliable, and I know I’d be able to use it in any weather or environmental situation. It feels good in the hand, you’re getting a solid menu system, the lenses are wonderful and, best of all, the high ISO images are super clean. Again, the Leica SL2s gave us the cleanest ISO 6400 prints from a 24MP full-frame sensor we’ve seen so far. Personally speaking, this is a camera I’d want to have with me everywhere.”
The Phoblographer’s various product round-up features are done in-house. Our philosophy is simple: you wouldn’t get a Wagyu beef steak review from a lifelong vegetarian. And you wouldn’t get photography advice from someone who doesn’t touch the product. We only recommend gear we’ve fully reviewed. If you’re wondering why your favorite product didn’t make the cut, there’s a chance it’s on another list. If we haven’t reviewed it, we won’t recommend it. This method keeps our lists packed with industry-leading knowledge. Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission.
Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He also likes pizza.